SHOWREEL 2025

‘In Emma Woods’ choreography we truly felt the muscular anger at the physical loss of her lover, adding to the poignancy of Ero’s own eventual death.’

ARTS DESK

RECENT PRODUCTIONS

‘The lively page does not promise too much: not only is the final masked ball splendid with the intoxicating choreography by Emma Woods, inspired by the Parisian balls of the time of Napoleon III, but the entire new production (…) is of outstanding magnificence-and coherence!’

Erstellt von Kaspar Sannemann, OPER AKTUELL